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When Namita is ten years old, her mother takes her to Kennedy Bridge, a seamy neighborhood in Bombay, home to hookers and dance girls. There, in a cramped one-room apartment lives Dhondutai, the last living disciple of two of the finest Indian classical singers of the twentieth century: the legendary Alladiya Khan and the great songbird Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesarbai, but does Namita have the dedication to give herself up completely to the discipline like her teacher? Or will there always be too many late nights and cigarettes? And where do love and marriage fit into all of this?
A bestseller in India, where it was a literary sensation, The Music Room is a deeply moving meditation on how traditions and life lessons are passed along generations, on the sacrifices made by women through the ages, and on a largely unknown, but vital aspect of Indian life and culture that will utterly fascinate American readers.
- Sales Rank: #887237 in Books
- Published on: 2009-02-03
- Released on: 2009-02-03
- Original language: English
- Number of items: 1
- Dimensions: 8.47" h x 1.17" w x 5.86" l, .95 pounds
- Binding: Hardcover
- 320 pages
From Publishers Weekly
Devidayal is a reluctant ten-year-old when she shows up for her first lesson in classical Indian singing, but the occasion marks the beginning of her musical lifetime, as chronicled in her new memoir. As a student at an Anglican school in Bombay, Devidayal is more at home speaking English and playing badminton than practicing the tanpura, an Indian stringed instrument. But as she progresses from one-note lessons to real ragas, she begins to realize that her mentor, the much-revered but never-quite-famous Dhondutai Kulkarni, offers life lessons as well as music lessons. Through the many stories Dhondutai relays to Devidayal (which range from factual to mythic), the reader is treated to a detailed history of Hindustani classical music and many intimate anecdotes regarding Dhondutai's own gurus, the legendary Bhurji Khan and Kesarbai Kerkar. Devidayal, who graduated from Princeton and now works as a journalist with the Times of India, was a gifted young singer, but lacked the passion to pursue the art professionally. This graceful memoir is a provocative illustration of music's unifying force in a religiously and socially stratified country. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School—This highly accessible memoir describes the journey of a 10-year-old girl into the higher reaches of classical Indian music. It also tells the history of this ancient art form and the story of some of its greatest performers. Devidayal has now studied with the same teacher, Dhondutai, for more than 20 years. She succeeds in making her extraordinary story interesting even if the music and her country are unfamiliar to readers. Teens can see from the author's journey as a teenage protégé the rewards of rigorous devotion to something they love. They can also see that they have the right to follow their own dreams even if their parents have laid out a different future for them. As the book concludes in the present day, Devidayal continues to study with Dhondutai, but she is also a Princeton-educated professional journalist. This narrative serves to pass on some of the musical and cultural heritage of India even though the author has chosen to devote her life to writing and not to singing itself.—Will Marston, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Devidayal, a journalist with the Times of India, was 10 when she began private lessons with Dhondutai Kulkarni, a disciple of two of India’s most renowned classical singers. In this layered, fascinating story, Devidayal combines moving personal recollections of her teacher with vivid, imagined scenes from Dhondutai’s life and the lives of her gurus. Woven into the intimate stories is a clear, probing introduction to classical Indian music, including its religious and historical influences and the ancient methods that still shape its instruction. A teen in Bombay during the 1980s, Devidayal speaks with self-deprecating humor and poignancy about her feelings of dislocation as she moved between the “pseudo English world” of her Anglican school and the “Marathi-speaking music universe,” where she initially felt like a foreigner. As she matures, her guru’s music room becomes a cherished connection to tradition and a counterpoint to her hectic, demanding life in contemporary Mumbai. A rich, well-integrated blend of scholarly analysis, cultural insight, and tender homage, Devidayal’s genre-defying title is a holistic celebration of music’s profound, even divine, rewards. --Gillian Engberg
Most helpful customer reviews
6 of 6 people found the following review helpful.
A many-layered story --
By Salman Habib
The Music Room is several things at once: an informal oral history, a social commentary, even a multi-person biography, if one could call it that. The unifying thread of Indian classical music runs through the book, but somehow unexpectedly lightly -- one wishes that the author would have put more of her own reactions to what she was learning and singing. But this is a trivial complaint; Namita Devidayal's written voice, rational and reflective, unaffected and clear-eyed, yet sympathetic and accepting, succeeds admirably in weaving a tapestry of lives of remarkable people, of a sadly fading musical culture, of the contradictions and strengths of Indian society, and of changing times, all in one remarkable book.
To convey so much in a relatively compact format, The Music Room is organized in snapshots -- yet these flow well in time and space, mirroring in some way the structure and time-cycles of a classical music performance. I even read through the book as if going to a long evening concert -- in two absorbing sittings. This is one of those rare books it is impossible not to whole-heartedly recommend.
0 of 0 people found the following review helpful.
The Music Room - A must for every musician and Music Lover
By e.k.
Just finished reading Namita Devidayal's 'The Music Room - a memoir'. It touches the inner core of anyone who traverses the sacred world of classical music! Dhondutai Kulkarni (in mid 80s now), Kesarbai Kerkar, the legendary Ustad Alladiya Khan....they just leap to life in each page, as you process the context of their life and art, and what made them the great pillars of Hindustani music that they are! I liked it, particularly because she doesn't deify these great musicians...she presents them in all their 'humanness' (for want of a better word), their eccentricities, foibles, their goodness, their love and yes, their immense talent... everything!! As the late Pandit Ravi Shankar said about this book.. "A must for every musician and music lover"! Pick up a copy if you can!
11 of 12 people found the following review helpful.
A Journey Through Sound
By Amazon Customer
"To play a raga, you must see it standing in front of you." India, to the foreign audience, is often impenetrable and overwhelming. A country of more than one billion people and more than 500 languages, it's not surprising that diving into India is like falling splash in the middle of the ocean, with no land in sight. To understand India, it's always better to view it one facet at a time. Trying to take them all in at once can lead to temporary color-blindness.
So if you want to take India one slice at a time, savor it and digest it fully, start with this book. It details the musical career of Namita Devidayal, from the age of ten when she is first introduced to her mentor, through the rest of her life.
The old adage says 'writing about music is as ridiculous as dancing about architecture'. Not in this book. The book's central character is the music and it grows and matures along with little Namita. The music is at once ephemeral and lucid, a phantom that soaks every page.
To understand India, one must understand a thousand things. One of them is its music. There is no better exploration of Indian music in words than this book.
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