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Cinema in Turkey: A New Critical History, by Savas Arslan
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Boasting nearly 7,000 titles, Turkey has produced more films than any other country in the Middle East or the Balkans. While the films enjoy great popularity at home, they haven't received the respect they deserve beyond their borders. Frequently, Turkey's cinema has been painted as imitative, simplistic or underdeveloped, casting it in shadow to the West. But things are finally changing. Turkish filmmakers like Nuri Bilge Ceylan are turning up in cinematheques worldwide. Critics are taking notice. And now general readers will have the overview they need to contextualize this remarkable body of work.
Examining both popular genres and art films, Cinema in Turkey deals with the country's entire cinematic tradition, including not only its high point with Yesilcam-Turkey's popular film industry of the 1950s to the 1980s-but also its early years and current revival. In addition to surveying the cinematic landscape and recounting its history, Cinema in Turkey analyzes the arts conventions from which the first films emerged, region-specific permutations, and the cultural ramifications of Turkey's distinct forms of modernization and nation-building.
- Sales Rank: #2249636 in Books
- Published on: 2010-11-03
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x .60" w x 9.10" l, 1.05 pounds
- Binding: Paperback
- 336 pages
Review
"Arslan is an assistant professor at ?stanbul's Bahçe?ehir University and his talent for analysis of how cinema reflects society makes this more than just a book for film aficionados: it is a book for all who seek to understand the changes in real Turkish society during the 20th century."--Today's Zaman
"Savas Arslan's book is certainly one of the most significant contributions to English-language literature on the cinema of Turkey. It is a welcome addition to the growing number of publications on the topic, yet what makes it most unique is its ambition to address the history of this national cinema in its entirety."--Eylem Atakav, Screen
"Refreshing, thought-provoking and informative."--Charlotte McPherson, Today's Zaman
"I believe that Cinema in Turkey is a groundbreaking work, the first of its kind in English that looks in detail at the conditions of production and exhibition that shaped Yesilcam's product over nearly five decades. It deserves to become a seminal text in Turkish film history."--Laurence Raw, Insight Turkey
"Full of fresh ideas, Arslan's book productively reconciles popular and art house cinema within this study of Turkey's national film tradition. It brings insights into matters of genre, alternative cultural geographies, cross-cultural adaptation, and transnational film historiography. And it successfully tackles the relationship between Western narratives and their appropriation within modernising peripheries." --Dina Iordanova, University of St. Andrews
"Ranging from international art films to the Turkish mainstream, from trash to high-art films, from feminist and auteur theory to Orientalism, from pornography to melodrama, from the Silent Era to New Media, this book is rich in its reference, deep in its understanding, and clear in its analysis." --Ronald Green, Ohio State University
About the Author
Savas Arslan is Associate Professor of Film and Television at Bahcesehir University in Istanbul, Turkey. He is the coeditor of Media, Culture and Identity in Europe and the author of Melodrama (in Turkish).
Most helpful customer reviews
3 of 3 people found the following review helpful.
Deserves to be Accepted as a Classic of Turkish Cinema History
By Dr. Laurence Raw
The best of all the recent volumes which have appeared on Turkish cinema and its antecedents. Arslan is good both on the origins of cinema in Yesilcam - or Green Pine; a movement in Turkish cinema which was much like the old Hollywood Poverty Row studios in the 1930s and 1940s. Arslan also understands how the past influences the present, both in thematic and structural terms: Turkish cinema is un-like Hollywood cinema for a series of specific reasons. He adopts a refreshingly pluralistic approach to his material, acknowledging the significance of both western and nonwestern theoretical models. Highly recommended.
2 of 2 people found the following review helpful.
A great introduction to the cinema of Turkey
By zelda
This is a great book for someone with no previous knowledge of Turkish cinema. It places the film industry in a larger cultural context, offering a greater understanding of the regional culture and aesthetics. Definitely a recommended read!
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